Murder your darlings. The advice is frequently trotted out in writing circles. (It is just as often misattributed to Oscar Wilde or F. Scott Fitz or some other luminary. In actuality, the mantra comes from Sir Arthur Quiller-Couch, and he probably stole it from his grandmother). No matter who it was that first thunk it, the advice is good. It’s quite easy to become particularly attached to a bit of prose that isn’t actually pulling its weight in the broader narrative. It could be fabulously written, but throwing off the pace. It could be distracting. It could be a bit of over-intrusive narration. It could be terrible, but you love it anyway. Be ruthless. Make sure all your prose serves the best interest of the story (and your readers).
As an example, I give you the lost history of Henry, Kansas. I wrote this. I like it despite its many faults. But it is clearly chub, nonetheless, and I slashed it from my book. It came early in the first chapter of 100 Cupboards (while Frank and Dorothy Willis were waiting for the bus), and it lengthened an already slow build to action. For a couple of years, it has been dwelling in some dark corner of my hard drive. But now, it sees the light—blinking, dusty, useless. . . Read the rest of this entry »
